The CiP
(Contents Innovation Program) is a plan to construct a digital and content zone
in the bay area of Minato Ward, Tokyo. Herein follows the third part of the
launch announcement. It concerns the features offered by the CiP.
3) Four-Function Hub
We will
produce a compact cluster of industry, education, and culture. The so-called
◯◯Valley plans received attention at one point, but Takeshiba is no valley. It
is sea and air. We will make use of Hamamatsucho City by the Haneda Airport. We
will digitally entertain foreign visitors.
We will
expand and utilize the area facing Tokyo Bay. Tokyo is a capital city on the
sea. Neither the US, nor the UK, nor France, Germany, Italy, China, or Korea
has a seaside capital city. Let’s capitalize on our ocean, Tokyo. Let’s make
use of the harbor, the waterfront, and the water surface.
We want Tokyo
to be the hub that connects all regions: Shibuya, Shinjuku, Ikebukuro,
Akihabara, Ginza, Uchisaiwaicho, Shiodome, Akasaka, and Roppongi. Every stop
along the Yamanote Sennai line has all manner of concentrated culture: music,
fashion, animation, games, advertisements, TV, etc. Furthermore, Shibuya,
Ikebukuro, and Shinagawa Station await redevelopment. We will also advance
development as we turn to the Olympics. Every place will become digital, all
will be connected.
We want to
become the hub that connects prominent Japanese cities. We want to connect the
content special zone of Sapporo; the movies, comics, animation, and games
center of Kyoto; the music and games goliath of Fukuoka; the international film
festival home of Okinawa; and many other cities.
We want to
tie together the world’s prominent cities: Boston, west coast universities,
London research facilities, Parisian events, the projects of Singapore, the
incubation facilities of Seoul. We want to become the hub of all these.
The CiP has
four functions: research and development, human resource cultivation, business
startup support, and business matching. It will create technology, cultivate
people, industrialize, and expand business globally, then research the results.
I will try to depict that cycle.
We will
consecutively enact development, training, and industrialization. We have no
knowledge of such a production cycle model being successful in Japan, but this
is how we wish to do battle. The digital realm contains large businesses which
developed from research and development. Military research spawned the
Internet, which resulted in net business. The game technology MIT developed in
the 70’s gave rise to Japan’s game industry.
US
universities have influence. Stanford University birthed Sun Microsystems,
Yahoo!, and Google. Harvard University students created Microsoft and Facebook.
MIT created eInk and $100 laptops. We want Japan to likewise show innovation in
learning institutions.
There is
precedent. The FM station opened by Tokai University in 1960 became FM Tokyo.
In 2008, Osaka University and Keio University carried out an experimental
project through industry-academic connections, which resulted in the net radio
“radiko.” We want to inspire many such examples.
Although the
CiP aims for a production cycle of research and development, human resource
cultivation, business startup support, and business matching, it does not aim
to create a sterile space. Imagine the “MIT Media Lab” which is like a digital
toybox, the nonprofit “CANVAS” workshop project of children’s creations, the
west coast business startup community “500 Startups,” and the chaotic “Niconico
Chokaigi” convention where people of all spheres interact. We will concentrate
such elements into one place that is active 365 days a year. We anticipate a chemical reaction from this
integration and fusion. Such is the kind of school, factory, and public space
we wish to create.
CiP wants to become
Hatsune Miku. Hatsune Miku is composed of three components. First, “vocaloid” technology.
If you write a song, this technology becomes a specialist singer. Second,
content. The design is a 16-year-old, 158 cm, 42 kg character.
And third, community.
Niconico videos grew her up thanks to everyone’s participation. They tried
songwriting. They tried singing. They tried musical performance and dancing.
Everyone brought their own abilities to the table. The cooperative force of
technology, design, and participation is Japan’s forte. We want to leverage
this.
0 コメント:
コメントを投稿