The CiP
(Contents Innovation Program) is a plan to construct a digital and content zone
in the bay area of Minato Ward, Tokyo.
Keio
University is participating in Tokyo land project management along with Tokyu
Land Corporation and Kajima Corporation.
The
plan has been: establish our nucleus, the “CiP Association”; advance research
and development; cultivate human resources; support business startups; enact
business matching; and open the zone in 2020 just prior to the Tokyo Olympics
and Paralympics.
The
launch announcements are divided into five parts: 1) creative force and digital
elements, 2) digital and content, 3) a 4-function hub, 4) R&D and human
resource cultivation, 5) a business base and government cooperation.
1) Creative Force and Digital Elements
Over
100 years after the introduction of the Meiji era slogan, “enrich the country,
strengthen the military,” Japan lost the war and shut down its military
fortification. It then vigorously
strived towards a national enrichment policy of industrial development. This
achieved success as a marvel of Asia, and at the start of the 1990’s, Japan was
considered the most internationally competitive country in the world.
However,
in the following 10 years it fell to 20th place, and did not escape this tunnel
in the 15 years thereafter. The vivacity of that national enrichment initiative
faded. Still, the Japan after “enrich the country, strengthen the military”
retains honor. It shines as a major cultural power.
Japanese
pop culture can boast of high global popularity: the content digitally sent
overseas verify Japan’s creative power. Pop culture bolsters traditional culture, classical theater, etc. Also, Japan’s
70 years of postwar pacifism, the order and etiquette displayed in the 3/11
Tohoku earthquake disaster, etc., altogether exhibit what is known in
international political theory as “soft power.”
Of
course, the technological strength and craftsmanship cultivated by the business
world did not vanish. Those tangible strengths and the intangible strength of
content and the like are comprehensively the resources of modern Japan.
”Which country is most
creative?” Adobe Systems Inc. surveyed advanced major countries, giving Britain
9%, France 11%, and Germany 12%. The US received 26%, while Japan towered above
all these with a leading 36%. Similarly, in their survey of the “most creative
city,” Berlin received 7%, London 8% Paris 15%, NYC 21%, and Tokyo 30%. The
world recognizes the creative might of Tokyo and Japan.
However,
the survey also asked, “Is your own country creative?” Japan was overwhelmingly
at the bottom. We do not realize our own creativity. Surely we are not fully
demonstrating our power.
In the
Tokyo Olympics fifty years ago, Japan displayed growth and revival. What kind
of showing will Tokyo and Japan make in the next Olympics and Paralympics?
Digital
will be the main indicator of advancement in the new age. The universe and oceans,
biotechnology, nanotechnology, and virtual realms have emerged as humanity’s
final frontiers. The digital sphere, which composes the virtual realm -- namely
IT (information technology) and content (expression) -- also has much room to
grow and develop. Further, Japan has already shown its strength on these
technological and expressive fronts.
For
about the past ten years, the government has been championing a content
foundation and Cool Japan, anticipating the content industry’s growth. Japanese
pop culture took hold overseas with comics, animation, and games. However, it
has not achieved sufficient results as an industry. For several years the
content marketplace has been stagnating with a foreign industrial sales
percentage greatly inferior to that of the US.
We
should make a concentrated investment in digital and content fields and put
effort into overseas expansion.
The CiP
composes plans to construct a digital and content industry accumulation zone in
Takeshiba, Minato Ward, Tokyo. C - Contents, i - innovation, P - Program. We
will reinvent society with content. Or perhaps C - Creative, i - innovative, P
- Pop. We will gather domestic and foreign resources, make a concentrated
investment, and become the place to produce and disseminate new industrial
culture.
That
said, we do not aim to be Hollywood or Silicon Valley. The strength of such
places is their concentration of the foremost artists, geeks, and business
elite. In contrast, in addition to advanced technological and expressive might,
Japan possesses many punctual and industrious workers. Furthermore, it is an
industrial cultural power of chaotic participation, production, and
consumption, including the comic market, Niconico video, karaoke, cosplay,
mascot characters, B-class gourmet, and more. We will leverage this to become a
breeder reactor.
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