A
foreign manga festival was held at the Tokyo Big Site. I was employed as a
consultant.
The term “Cool Japan” was born ten years ago. The phrase wasn’t
born in Japan; it started overseas and was adopted by Japan. Japan is now
asking herself how to recapture the manga. Domestically, manga haven’t been treated as important. It’s become a
societal problem that there isn’t much education.
However, when they started to become popular overseas the government finally
recognized their importance and began to support them as artistic media.
Ten years ago I was employed as the chairman of the IP headquarter in the
government. That was when we started to concentrate on manga. I was also the
chairman of the Pop Culture Committee. Manga writers were also on the committee
and we debated measures of encouragement. On both committees, a major theme was
the education of future manga artists.
It was then
that the Ministry of Education, Science and Culture began to concentrate on the
cultivation of human resources which led to the symposiums that we have today.
At the same time, pop culture cannot be spearheaded by
the government by way of the Ministry of Education, Science and Culture. It
must be spearheaded by the citizens. We must always keep that in mind. On the
other hand, it must be recognized that the comics of the US, the manga of
Canada, the bande dessinnée of France, and our own manga
are important cultural assets. The forms of expression found in manga are based
upon the culture of their originating country, and it’s wonderful that they have evolved into such a deep and varied art
form. I’d like to see those involved in the world of
manga cooperate to raise the level of manga culture in the world.
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